" b- K* v! l/ }Digital Film Tools - 55mm is the definitive set of digital optical filters meant to simulate popular glass camera filters, specialized lenses, optical lab processes, film grain, matte generation, exacting color correction as well as natural light and photographic effects--all in a controlled digital environment with either 8 or 16 bits per channel processing.
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• Black Mist
L& Z, f1 Y4 [The Black Mist filter creates atmosphere by reducing contrast, but with minimal glow around highlights.
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• Black and White
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Black and White converts color images to black and white simulating the look of Black and White photographic filters.
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• Blur
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It’s fast, high quality and blurs outside the frame which removes the dark inward bleeding edges of most blurs. Horizontal, vertical or both, Blur uses either Gaussian or Box quality settings.
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9 A" g+ J* \$ _0 ~/ R• Bleach Bypass
3 p9 J; E2 V4 N1 \Bleach Bypass is a film laboratory technique where, by skipping the bleach stage in the color processing sequence, silver is retained in the image along with the color dyes. The result is effectively a black and white image superimposed on a color image. Bleach Bypass images have increased contrast, reduced saturation, often giving a pastel effect.
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• Center Spot
/ G+ E5 M6 y& W7 ]; l5 q! I7 a& gDiffuses and blurs distracting backgrounds while keeping a center spot in focus. The center spot can be moved, sized and the amount of blur can be controlled.
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U. z% @! V0 T2 T• Chromatic Aberration
3 e5 S9 t7 z4 gChromatic aberration is caused by a lens having a different refractive index for different wavelengths of light and is seen as fringes of color around the edges of the image. This fringing is removed by un-distorting the individual color channels.
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) `; q. ^* \4 t* I9 j. _• Color Compensating
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Color Compensating filters control color by attenuating specific parts of the spectrum. They can be used to make changes in color balance or compensate for deficiencies in the image’s spectral quality.
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• Color Conversion
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Color Conversion filters correct for significant differences in color temperature between your light source and recording media.
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+ K/ b& Q- ?: i4 J• Color Correct
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• Color Grad
- S' n3 i& r1 j/ s• Color Infrared
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• Color Spot
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• Cool Mist
( H3 ^' i2 O" h: J8 {• Cross Processing
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• Day for Night
: K# S/ ~8 A6 r6 e# R( B• Defog
" ]8 i9 W3 ]! \* ^- y• Defringe
; Z* L C7 t& T& x7 K4 r! V* l• Depth of Field
2 T- _. M# b3 b8 c$ s0 h R• Diffusion
. v& Y% W! r O% Z* A' Q1 h• Double Fog
( F7 R* W: c, C; \. @• Dual Grad
0 C( Y6 b/ F3 `• Edge Glow
( p6 e& n9 |9 s3 ^7 [2 r2 L• Enhancing
, T: T W9 ~- L5 {( A• Faux Film
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• Flashing
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• Fog
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• F-Stop
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• GamColor
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• Gels
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• Glow
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• Gold Reflector
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• Grain
3 e0 ^6 p9 i1 _. `' j/ b3 u• Halo
. ~# f# Y+ F6 |2 G• Infrared
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• Kelvin
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• Lens Distortion
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• Light!
( p; J) o3 @' T) d. ~9 q• Light Balancing
5 t) q( M, L1 }, @• Low Contrast
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• Mist
0 a3 e: Q4 _$ \$ `• Mono Tint
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• ND Grad
' }4 V1 S* Z7 D7 M% L: u$ v7 v k+ U• Night Vision
, N1 u% f" ^+ k- k3 B/ T9 J• Old Photo
1 Y0 g" ]$ L' X5 q• Overexpose
$ m+ ]0 d5 l% l* d- {1 X• Ozone
/ s) W# D0 R# i• Pencil
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• Photographic Filters
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• Polarizer
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• Printer Points
# g4 @1 V3 z& j7 y# q! H% e- r• Rack Focus
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• Radial Exposure
) n$ j% U4 r9 q( Y- Q/ w7 L• ReLight
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• Rosco Calcolor
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• Selective Color Correct
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• Selective Saturation
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• Skin Smoother
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• Soft Effects
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• Split Field
, t8 f' |: |/ \/ A N- t• Split Tone
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• Star
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• Strip Grad
/ W/ K) J& L) s( i7 J• Sunset/Twilight
9 E3 Z/ C# q' [% a, @3 T• Telecine
% L, Q# A3 }2 \9 `6 a1 ]• Temperature
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• Three Strip
% k/ ~2 {+ ~9 e# `3 W4 |• Tint
: t; z( p5 p/ c. y- L; t. ?8 U) X• Two Strip
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• Ultra Contrast
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• Vari-Star
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• Vignette
% i' J8 _6 Q) G' h7 T1 {: ]• Warm Black Mist
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• Warm Mist
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• Warm Soft Effects
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• X-Ray
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官网:
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http://www.digitalfilmtools.com( j, [2 Y" U& j) O
下载:
http://depositfiles.com/en/files/5323293
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本帖最后由 pojianechu 于 2008-5-14 20:19 编辑 ]
